- ADOBE PREMIERE PRO CS4 UPDATE
- ADOBE PREMIERE PRO CS4 PRO
- ADOBE PREMIERE PRO CS4 MAC
- ADOBE PREMIERE PRO CS4 WINDOWS
ADOBE PREMIERE PRO CS4 PRO
Other features include critical updates for leading post-production hardware, including third party IO support, Final Cut Pro import, and other bug fixes. Support for AVC-Intra augments Adobe’s existing support for tapeless cameras such as RED, Sony XDCAM EX and HD, Panasonic P2, and AVCHD, providing users with the industry’s most efficient workflow without transcoding or rewrapping. The new version provides compatibility for Panasonic’s AVC-Intra format.
ADOBE PREMIERE PRO CS4 UPDATE
This morning Adobe announced the availability of Adobe Premiere Pro CS4 version 4.2, a free update for existing customers of Adobe Premiere Pro CS4. I wanted to share their email with you, because it has an impact on Final Cut Pro 7 users.
We’ll see whether Premiere Pro CS4 can continue to attract attention-and new users-when it ships in late October.I just got an email from Adobe that Premiere Pro CS4 updated to version 4.2 today. But that version of the video-editing program also had the advantage of making a dramatic return to the Mac.
ADOBE PREMIERE PRO CS4 MAC
When Adobe unveiled Premiere Pro CS3 in 2007, the company-and the app-had the burden of making a positive first impression on Mac users. Other new features include an enhanced view of audio in the Source monitor, better timecode display options, more assignable keyboard shortcuts, and the ability to replace clip yet retain its effects and other settings. Another much anticipated feature is the ability to composite clips using blending modes (and to retain blending modes when importing a file from Photoshop). And in contrast to previous versions, you can apply speed changes, transitions, and effects to multiple clips at once. Most notably, Premiere Pro CS4 revamps the way you target tracks and shift material when performing insert edits. Something to Talk About: The latest version of Premiere on the Mac offers a speech transcription feature that creates timecode-specific transcripts you can search by keyword.Adobe also enhances some of Premiere Pro’s core editing features. Needless to say, it promises to be a real boon, especially to editors who have many hours of documentary footage. It analyzes a clip’s audio and creates a text transcript that’s timecode-specific and searchable by keyword. But perhaps the most exciting implementation of metadata is Premiere Pro CS4’s speech transcription feature. A new Metadata panel lets you view and input information about a clip or even its source file.
In fact, more extensive support for metadata is a prominent feature in Premiere Pro. This way, shot information encoded in the field is present in Premiere Pro, making it easy organize and search the footage without intermediate steps. And Premiere Pro CS4 not only supports the media, but its metadata, as well. Premiere Pro CS4 expands its support of tapeless media to include P2, AVCHD, XDCAM EX, and XDCAM HD. A new Media Browser panel lets you preview and import footage on your computer from within the Premiere Pro interface-which is particularly useful when importing material from tapeless media. Of course, Premiere Pro CS4 also boasts numerous new features of its own.
In the past, you could export just one sequence to a single format at a time. Premiere Pro CS4 also ships with Adobe Media Encoder CS4, a separate but integrated program that can batch encode any combination of Premiere Pro sequences and other files to multiple formats. Prior to CS4, Mac users could only run the program via Boot Camp. OnLocation CS4 lets you use a laptop to monitor, capture, and log video in the field.
ADOBE PREMIERE PRO CS4 WINDOWS
With CS4, Adobe eliminates the most conspicuous disparity between the Windows and Mac versions of the Creative Suite by including a Mac-compatible version ofĪdobe OnLocation. A few of the most notable new features aren’t part of Premiere Pro CS4 itself, but come in the form of companion programs.
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